Venice Biennale

Willem de Kooning and Italy

The Art Newspaper

David Anfam reviews Willem de Kooning L’Italia at the Gallerie dell’Accademia, Venice. Noting that a “mix of scholarly mismatch versus magnificent artworks lingers throughout the whole display,” Anfam further observes: “near the start a trio of “abstract parkway landscapes” hang together for the first time: how do Bolton Landing (1957), Detour (1958) and Brown Derby […]