Lynette Lombard

Expressionism Revisited

Painting Perceptions

John Goodrich reviews Crossroads: Lynette Lombard, David Paulson, and Thaddeus Radell at Sideshow Gallery, Brooklyn, on view through October 8, 2017. Goodrich writes: “Lombard’s paintings are unpopulated by human figures, and also appear to be anchored in immediate observations – though these are heightened by twisting, vertiginous plunges of space. Despite such distortions, Lombard’s sure sense […]