Landscape Painting
Eleanor Ray: The power of the small
Two Coats of Paint
Michael Brennan reviews paintings by Eleanor Ray at Nicelle Beauchene Gallery, New York. “[Ray’s] paintings are small, mostly under ten inches in their longest dimension. They defiantly reside in keyhole territory, but she has a keen sense of scale. The art world routinely misuses this term to signify anything large, when in fact it concerns […]
Gustav Klimt Landscapes
Brooklyn Rail
David Carrier reviews Klimt Landscapes at the Neue Galerie, New York. Carrier points out the uniqueness of these pictures observing that “while Impressionism was shown in Klimt’s Vienna, he seemed to have worked in a parallel Austrian universe. His pointillism owes more to the sixth-century Christian mosaics at Ravenna than to Georges Seurat. … perhaps […]
Reeve Schley: By the River
Tussle
William Corwin reviews a recent exhibition of works by Reeve Schley at Geary, New York. Corwin begins: “In the endless litany of FOMO (Fear of Missing Out), we often miss out on one of the most important things, hearing, or seeing a novel interpretation of the world through a foreign set of eyes. Ninety-nine percent […]
Constable’s Quiet Tumult
New York Review of Books
Christopher Benfey reviews three books about John Constable: John Constable: A Portrait by James Hamilton, Constable’s White Horse by William Kentridge and Aimee Ng, and Late Constable by Anne Lyles, Matthew Hargraves, and others. Benfrey reviews each book while considering the question “What do John Constable’s seductive paintings—those cunningly constructed scenes of English rural life […]
JAKE! @ Betty Cuningham Gallery
johnmitchellworld
John Mitchell visits the exhibition JAKE! at Betty Cuningham Gallery, New York, on view through February 23, 2020. More than a standard review, Mitchell chronicles his thoughts about Berthot’s paintings and drawings over six extended visits to the show. Mitchell recounts how the show inspired him to dig deeply into Berthot’s body of work, carefully […]
Beth Bernhardt: Interview
Painting Perceptions
Larry Groff interviews painter Beth Bernhardt. Bernhardt remarks: “I generally start most paintings from observation or in the case of larger works, from studies made on site. I tend to make a lot of starts and save the analysis for later. I don’t think of it as a process really, more like tendencies or ways […]
Claude Monet: Strictly A Revolution In Seeing
Artlyst
Edward Lucie-Smith reviews Claude Monet & Architecture at The National Gallery, London, on view through July 29, 2018. Lucie-Smith observes: “One of the most interesting things about the show, at a time when social and political virtue-signalling have become primary subjects for art, is that, where themes of this kind are concerned, Monet is studiously […]
Peter Lanyon: Total Immersion in Landscape
Apollo Magazine
Maggie Gray reviews Peter Lanyon: Cornwall Inside Out recently on view at Hazlitt Holland-Hibbert, London. Gray writes: “Over the course of his career Lanyon devised a unique approach to painting that relied on his total immersion within the landscape. He would walk, drive, climb, cycle, swim and eventually glide across and over Cornwall; he learnt […]
Jennifer Coates: Lullabies for Difficult Times
Two Coats of Paint
Sharon Butler reviews Jennifer Coates,: Correspondences at Freight + Volume, New York, on view through April 15, 2018. Butler writes: “At first glance, the paintings convey a sense of joy, in the same way that Paul Klee’s idiosyncratic visual language does. Yet in some, like Bull Spirit(2018) and Small Rabbit Spirit(2018), globs of slathered paint, […]
John Walker: At the Edge of Land and Water
artcritical
Wendy Gittler reviews John Walker: The Sea and The Brush recently on view at the New York Studio School. Gittler writes: “Walker’s quest to reassemble pictorial language from a diverse painting vocabulary is no easy task. Throughout his long career he has searched for ways to meld the painterly traditions of Goya, Constable, Turner and […]
Byron Kim’s Painting Ritual
Two Coats of Paint
Sharon Butler reviews Byron Kim: Sunday Paintings at James Cohan Gallery, New York, on view through February 17, 2018. Butler writes: “What makes [Kim’s paintings] unremarkable are their size and the undramatic skies they depict – not the complex, sublime sky paintings made by, say, great Dutch painters like Aelbert Cuyp and Jacob van Ruisdael. Instead, they are […]
Susannah Phillips: Interview
Painting Perceptions
Larry Groff interviews painter Susannah Phillips. Phillips comments: “The important thing for me, whatever the source of the colour, be it observed or invented, it should work in the painting as a whole. I might drop the real colour of the object in favour of something I want instead; so, for example, a cloth that […]
Graham Nickson: Light and Geometry
Hyperallergic
Karen Wilkin reviews Graham Nickson: Light and Geometry at Betty Cuningham Gallery, New York, on view through December 22, 2018. Wilkin writes: “The canvases and watercolors [Nickson] has produced over the years — of flamboyant sunrises and feverish sunsets — address themes that most committed modernists would either scorn or find too frightening to tackle. […]
Impressionists in London @ Tate Britain
Studio International
Francesca Wade reviews Impressionists in London at Tate Britain, on view through May 7, 2018. Wade writes: “In 1904, 37 of [Claude Monet’s] pictures – splendidly evocative hazes of red and blue – were shown in Paris in an exhibition called Views of the Thames. Eight of these works form the centrepiece of this Tate exhibition, […]
Ying Li @ Gross McCleaf Gallery
Broad Street Review
Lev Feigin reviews Ying Li: Sojourn at Gross McCleaf Gallery, Philadelphia, on view through November 25, 2017. Feigin writes that Li’s paintings “evoke pictorial spaces: vistas on a Swiss lake; autumn mountains near Telluride, Colorado; docked boats on the Maine coast. But come closer and you enter the ridged, luminous labyrinths of her pigments projected over […]
Wayne Thiebaud @ Allan Stone Projects
Hamptons Art Hub
Sally Grant reviews Wayne Thiebaud: Land Survey at Allan Stone Projects, New York, on view through December 23, 2017. Grant writes: “Thiebaud has frequently revisited certain motifs over the course of his long career and has mastered their painterly enticement. Whether the subject is a cake or a cloud, the artist’s consummate rendering seduces the […]
Arshile Gorky Landscapes @ Hauser & Wirth
Hyperallergic
Thomas Micchelli reviews Ardent Nature: Arshile Gorky Landscapes, 1943–47 at Hauser & Wirth, New York, on view through December 23, 2017. Micchelli observes: “The drawings in this show are breathtaking in their variety and intensity. Motifs glide in and out; graphite lines trace the contours of unknown plants and body parts, accented by strokes of green, […]
Bernard Chaet: First Light
The New Criterion
Franklin Einspruch reviews Bernard Chaet: First Light at Alpha Gallery, Boston, on view through October 4, 2017. Einspruch writes that “[Chaet’s] landscapes are exuberant to the point of ferocity. Alpha Gallery in Boston is showing a suite of them produced during or inspired by plein-air sessions at dawn on the North Shore, towards and soon after the end […]
Mystery and Rapture: Landscapes by Four
Painting Perceptions
Tina Engels blogs about the recent exhibition Mystery and Rapture: Landscapes by Four, curated by William Bailey, at the Civitella Ranieri Foundation, Civitella Ranieri, Italy. The show featured works by Mario Fallani, Marco Fallani, Dan Gustin, and Langdon Quin. Engels notes that selections made by curator “[William] Bailey [convey] the resonance of different cultural spheres that results […]
Brian Rego: Interview
CMD-ZINE
Greg Burak interviews painter Brian Rego. Rego remarks: “When I paint outdoors I find everything happening at once, so I respond to what I see with a sense of urgency and I try not to think too much about it. I look for larger spatial constructs as a way to enter the painting. I do not […]