Color
Matisse and Derain: A study in contrasts
The New Criterion
James Panero reviews Vertigo of Color: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art, New York. After setting the stage with a discussion of Michel Eugène Chevreul’s theory of contrasting color and its influence on impressionist and post-impressionist painting, Panero traces the story of Matisse and Derain working together in […]
Josef Albers: Color is a Whole World
The Art Section
Painter José Heerkens reflects on color and the work of Josef Albers. “Even knowing that visual language is a totally different language than the language of words, each acting on its own level, color is still a very difficult subject to describe. Any form can be described, but trying to catch color in words is impossible… The […]
Emily Mason @ Ameringer McEnery Yohe
Hamptons Art Hub
Peter Malone reviews paintings by Emily Mason at Ameringer McEnery Yohe, New York, on view through February 7, 2017. Malone observes: “Though Mason’s palette is keyed to the higher pitches, it avoids the flash and punch embraced by much recent abstract painting. Apparently not interested in deadpan statements or the lure of eye-candy, she creates […]
Sanford Wurmfeld: Chorus of Color
(READ)art
Heather Zises reviews two recent exhibitions Sanford Wurmfeld: Color Visions 1966 – 2013 at the Hunter College/Times Square Gallery and Sanford Wurmfeld: Light & Dark at Minus Space. Zises writes that “The key to appreciating these works has much to do with the figure-ground relationship of form and color. For each painting, Wurmfeld maps out […]
Siri Berg: All About Color
Conceptual restriction, in Siri Berg’s hands, adds up to exuberant expression and has a painterly feel.