Abstract Painting
Gary Petersen @ McKenzie Fine Art
Hyperallergic
John Yau reviews Gary Petersen: Back There Behind the Sun at McKenzie Fine Art, New York, on view through October 16, 2016. Yau writes: “Gary Petersen’s skewed geometric paintings call forth analogies to music and architecture, a realm of vertical intervals and diagonal supports spliced into a precarious balance… His off-center, stacked shapes have a […]
Sarah Walker: Interview
artcritical
Mary Jones interviews painter Sarah Walker on the occasion of Walker’s show Space Machines at Pierogi, New York, on view through October 9, 2016. Walker comments: “I feel the title ‘Space Machines’ is relevant here, in that my work can generate a different sensibility of existing in space, an alternate form of cosmos. I feel they […]
Sue Post: Intuitively Chosen Constraints
Two Coats of Paint
An essay by Franklin Einspruch about the paintings of Sue Post on the occasion of her exhibition Weed/Garden at The Painting Center, New York, on view through October 1, 2016. Einspruch writes: “Post began her graduate work on the landscape, finished a devout non-representational painter, and for five years worked within an abstract format consisting […]
Eve Aschheim: Interview
Huffington PostJohn Seed
John Seed interviews Eve Aschheim on the occasion of her exhibition Drawings and Photograms at Lori Bookstein Fine Art, New York, on view through October 15, 2016. Aschheim remarks: “[The photograms] began at the instigation of Emmet Gowin, a Princeton colleague, who thought we could shine light through my mylar drawings to make photograms. It […]
Ying Li: Interview
Painting Perceptions
Larry Groff interviews painter Ying Li on the occasion of her exhibition Geographies at Haverford College, on view through October 7, 2016. Li comments: “I think these two are really one thing; they’re so tied together, looking out and then looking in on the canvas. I try to make that switch as short as possible […]
Sean Scully: Interview
Studio International
Allie Biswas interviews painter Sean Scully on the occasion of the exhibition Sean Scully: The Eighties at Mnuchin Gallery, New York, on view through October 22, 2016. Asked about the new direction of his work in the 80’s Scully remarks: “I got impatient with the precious remoteness of high-end abstraction. I wanted to bring painting back to […]
Zao Wou-Ki @ Asia Society
New York Times
Roberta Smith reviews No Limits: Zao Wou-Ki at Asia Society, New York, on view through January 8, 2017. Smith writes: “It is an intriguing, peripatetic, at times beautiful affair of 60 works from 1943 to 2003, with paintings on canvas and paper, watercolors and several kinds of prints. Yet Zao slips through your fingers, running […]
Helen Frankenthaler: Pure Color
LA Times
Carolina A. Miranda interviews John Elderfield, curator of Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962–1987 at Gagosian Gallery, Beverly Hills, on view through October 29, 2016. Elderfield remarks: “The traditional way, of course, is to make a drawing as the basis of a painting, then add color to it. In ‘Mountains and Sea,’ you […]
Reading Cy Twombly
The Paris Review Daily
Mary Jacobus blogs about the “inventive use of literary quotation and allusion throughout [CyTwombly’s] long career and his relation to poetry as an inspiration for his art,” the subject of her new book Reading Cy Twombly: Poetry in Paint (Princeton University Press).
Samuel Jablon: Interview
Arte Fuse
Laura Mylott Manning interviews artist Samuel Jablon on the occasion of his show Over Heard at Diane Rosenstein Gallery, L.A., on view through October 15, 2016. Jablon comments: “I was writing a lot of poetry and I was painting a lot. I always felt both were missing something… so I combined them. The combination of […]
Gregory Amenoff @ Alexandre Gallery
Artdeal
Addison Parks blogs about the work of Gregory Amenoff on the occasion of Amenoff’s exhibition of new paintings at Alexandre Gallery, New York, on view through October 29, 2016. Parks writes that “[Amenoff’s paintings] are a noble quest, a torch taken up from the likes of the Arthur Doves of this world, along with his Stieglitz […]
Li Huasheng: Interview
Studio International
Lilly Wei interviews artist Li Huasheng. In her introduction, Wei writes: “Li’s point of view seems similar in orientation to that of Agnes Martin, say, although he believes art should be pure, and eastern and western cultures, evolving separately, are utterly different. Line, nonetheless, is of vital importance to both artists and “everything,” says Li, […]
Stephanie McMahon: Buoyed by Color
New American Paintings Blog
Shana Dumont Garr reviews the recent exhibition Stephanie McMahon: Close to Me at T+H Gallery, Boston. Garr writes: “In Blue Nude (2016) … sharp angles still betray the human touch and coexist with more organic brushwork. These are among the paintings that offer a contemporary take on a collage sensibility, one informed by the digital […]
Red: Ming Dynasty/Mark Rothko
Neoteric Art
Norbert Marszalek blogs about a visit to Red: Ming Dynasty/Mark Rothko at the The Arthur M. Sackler and Freer Gallery of Art at the Smithsonian Institution, Washington D.C., on view through February 20, 2017. Marszalek writes: “The painting is Rothko’s Untitled (Seagram Mural sketch) from 1959 that was part of his Four Seasons commission. The […]
The Gifts of Stuart Davis
The New Criterion
James Panero reviews Stuart Davis: In Full Swing at the Whitney Museum of American Art, New York, on view through September 25, 2016. Panero writes: “The particular genius of Davis’s subsequent modernist direction was how he went on to integrate European stylistic innovation with his unique Ashcan vision. Through the flattening, flickering, fleeting perspectives of […]
Richard Pousette-Dart: Transcendental Expressionist
ARTnews
Blog post revisiting Jack Kroll’s April 1961 profile of painter Richard Pousette-Dart, republished on the occasion of the exhibition Richard Pousette-Dart: The Centennial at Pace Gallery, New York, on view through October 15, 2016. Kroll writes: “The art of Richard Pousette-Dart seems very much in the line of American “home-made” eidolonian transcendentalism. He is a […]
Elisabeth Condon @ Lesley Heller Workspace
Hyperallergic
Edward M. Gómez reviews Elisabeth Condon: Bird and Flower at Lesley Heller Workspace, New York, on view through October 16, 2016. Gómez writes: “To produce her latest canvases, Condon has experimented with some new approaches that, in effect, have made the production of her variety of abstraction as much the subject of these new works […]
Dan Ramirez @ the National Museum of Mexican Art
New City Art
Mark Pohlad reviews Contemplations: Dan Ramirez Works from the Permanent Collection at the National Museum of Mexican Art, Chicago, on view through October 9, 2016. Pohlad writes: “Ramirez’s works reward careful viewing. Lines gradually attenuate and vanish, the edges of pieces are painted, and shadows are cast by slightly askew interstices. But all this formal […]
Etel Adnan’s Vibrant, Visual Poems
Hyperallergic
Maria Howard reviews Etal Adnan: The Weight of the World at the Serpentine Gallery, London, on view through September 11, 2016. Howard writes: “[Adnan’s] paintings evoke sheer joy, their style unpretentious, not naive but innocent, at odds with her poetry and writings that bear witness to the violence of the world. They may seem like […]
Carmen Herrera: Interview
Brooklyn Rail
Laila Pedro interviews painter Carmen Herrera on the occasion of Herrera’s retrospective Lines of Sight at the Whitney Museum of American Art, New York. The show will be on view from September 16, 2016 – January 2, 2017. In her introduction Pedro notes: “that [Herrera refers to her works as] not paintings, they’re not sculptures—they’re […]