David Moxon posts about an exhibition of "strong monolithic forms of abstraction" by Wang Guangle at Beijing Commune, China.

Moxon writes "In the 'Coffin Paint' series, the accidental dots protruding from the surface are hints of the slow progression of the artist’s work of 'experiencing', through which Wang Guangle appreciates the meaning of 'time' over and over with continuous, mechanical repetition of a same movement on one surface."