Evan Fugazzi @ Gross McCleaf
Hyperallergic

Stan Mir reviews an exhibition of new paintings by Evan Fugazzi at Gross McCleaf Gallery, Philadelphia, on view through March 30, 2019. Mir observes: “Color has become the driving force of [Fugazzi’s] work. His aesthetic commitment calls to mind Stanley Whitney, who has continued to distinguish himself as a ‘call and response’ painter. As the elder painter describes […]

Donald Martiny: Interview
Whitehot Magazine

Noah Becker interviews painter Donald Martiny about his work. Discussing the germination of the ideas that inform his current work Martiny recalls: “A turning point occurred one day in the studio a little over a decade ago while I was starting a new painting—a de Kooning kind of gestural study.  I had painted a single brushstroke […]

Interview: Sedrick Huckaby at the Elaine de Kooning House

John Mitchell talks to Sedrick Huckaby about paintings in progress during a recent residency at the Elaine de Kooning House in East Hampton, New York.

Seen in New York, January 2019

Paul Corio reviews a selection of exhibitions, including shows of work by EJ Hauser, Jennifer J. Lee, Eleanor Ray, Jim Osman, Robert Otto Epstein, Josef Albers and others.

Mimesis Unbound: Noah Buchanan at Dacia Gallery

The magical display of rendering form from flatness underlines the primary power of all painting.

Shared Experience

An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015).

Charline von Heyl: Interview
Brooklyn Rail

Raphael Rubinstein interviews painter Charline von Heyl whose exhibition Charline von Heyl: Snake Eyes will be on view at the Hirshhorn Museum, Washington D.C. from November 8, 2018 through January 27, 2019. Von Heyl remarks: “At the root of my painting is the line. As an outline, line defines a shape. In repetition, line creates […]

Berthe Morisot @ the Barnes Foundation
Hyperallergic

Ilene Dube reviews Berthe Morisot: Woman Impressionist, on view at the Barnes Foundation, Philadelphia through January 14, 2019. Dube notes that “… unlike many Impressionist painters who depicted women as ornamental, a part of the decoration, Morisot set her eye on working women — the cooks, the maids, the nannies and governesses who made it […]

Peter Plagens: Interview
New City Art

Alan Pocaro talks to painter and critic Peter Plagens whose show, The Age of Innocence: Abstract Paintings by Peter Plagens, was recently on view at the Farmer Family Gallery at The Ohio State University at Lima. Pocaro notes that: “If the project of our lives is to integrate the many conflicting aspects of self into a […]

Rackstraw Downes @ Betty Cunningham
Hyperallergic

John Yau reviews Rackstraw Downes: Paintings and Drawings at Betty Cunningham Gallery, New York, on view through October 14, 2018. Yau writes: “In ‘Outdoor Passageway at 15 Rivington,’ Downes recognizes infinite time (the sky above), seasonal time (the air conditioning units), and historical time (the dirty walls), as well as time passing (the passageway). Despite all the […]

Peri Schwartz: Interview
Painting Perceptions

Larry Groff interviews painter Peri Schwartz on the occasion of her recent exhibition at Gallery NAGA in Boston. Asked about her most recent work, Schwartz comments: “My new work uses the same elements that have been my subject for almost twenty years. The difference is that in the early Studio paintings it looked more like an […]

Abstraction with a Political Conscience
Hyperallergic

Gwenaël Kerlidou examines the career of Olivier Mosset. Kerlidou concudes: “The critique of the art system has often been done from a neo-conceptual standpoint, but rarely from a painting standpoint, since painting has been the standard scapegoat of the conceptual critique. In both cases, however, the objects produced can never be seen simply literally: no […]

Peter Halley: Interview
Brooklyn Rail

Tom McGlynn interviews painter Peter Halley on the occasion of a new installation of Halley’s work at Lever House entitled New York, New York. Halley remarks: “I just don’t think the power of abstraction is going away. Our whole cultural universe is built on abstraction, beginning with the abstraction that is money. But in the twentieth […]

Ninth Street Women
The New Yorker

Claudia Roth Pierpont reviews Mary Gabriel’s new book Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art (Little, Brown and Company). Roth Pierpont writes: “Mary Gabriel’s timely and ambitious new book, “Ninth Street Women,” provides a multifaceted account of the […]

David Row @ Loretta Howard
artcritical

Peter Malone reviews David Row: Counter Clockwise at Loretta Howard Gallery, New York, on view through October 20, 2018. Malone writes: “Considering much of current abstract painting’s focus on spontaneity and one-off effects, Row’s tendency to revisit abstract elements embraced by earlier painters—not just Noland but Ellsworth Kelly, Dorothea Rockburne and Al Held, with whom […]

Patrilineations: Jane Fine at Pierogi

In Jane Fine’s recent work, painting’s power to beautify dark feeling, particularly in the more somber-hued small works, is masterfully on display.

Ribera, Mantegna & Bellini
AbCrit

Robin Greenwood reflects on work from two London exhibitions: Ribera: Art of Violence at the Dulwich Picture Gallery and Mantegna and Bellini at the National Gallery, London (both on view through January 27, 2019). Greenwood concludes: “I feel both with Mantegna and Ribera a potent link with art now, if we could but unlock that […]

Amy Sillman: Interview
Apollo Magazine

Imelda Barnard interviews painter Amy Sillman on the occasion of her exhibition Landline at Camden Arts Centre, London, on view through January 6, 2019. Sillman remarks: “I feel like I’m working with and against [painting] equally. The piece I’m making for Gallery 3 is structurally ambivalent, it has two sides that are printed on the […]

The Ecstatic Flow of Paint
New York Times

Roberta Smith highlights seven painting shows currently on view in New York: Ed Clark at Mnuchin Gallery (through October 20), Vivian Springford at Almine Rech Gallery (through October 20), Larry Poons at Yares Art (through October 27), Frank Bowling at Alexander Gray Associates (through October 13), Joan Mitchell at Cheim & Read (through November 3), […]

Sharon Butler @ Theodore:Art
Hyperallergic

Paul D’Agostino reviews Sharon Butler: New Paintings at Theodore:Art, Bushwick, Brooklyn, on view through October 7, 2018. D’Agostino notes that Butler’s new paintings are based on selections from daily iPad drawings that “readily became not merely an ersatz sketchbook, but also a journal. What’s more, given the textureless surface and inverted, in a sense, light […]