Studio visit with Gary Stephan

Joshua Abelow visits the sutdio of painter Gary Stephan.  His post includes photos of paintings in progress, sketchbooks and drawings.  

Interview with Painters’ Table Editor Brett Baker

Painter Valerie Brennan has posted an interview with me about my work on her blog Studio Critical.  Her questions (asked of each painter she interviews) illuminate the day to day practice of being an artist including studio views and works in progress.   You can read the interview on Studio Critical.

deKooning at Pace

Steven Alexander visits Willem de Kooning: The Figure: Movement and Gesture on view at Pace Gallery through July 29, 2011. The exhibition, Alexander writes, is "a remarkable selection of rarely seen paintings and drawings, plus a few sculptures… this group features some amazing works from the time de Kooning first arrived in his new studio […]

Abstraction’s Ambiguity

Edward M. Gómez looks at abstract painting through the lens of several artists including Joan Mitchell, Louise Fishman, Karl Klingbiel, Gene Mann, and Madeleine Spierer. These painters, Gómez writes, "understand that the ambiguity that is [abstraction's] essence is also its great poetic strength."

Interview with Robert Dukes

Neil Plotkin interviews London-based painter Robert Dukes. Dukes discusses his life and work including his time in art school and painting after the old masters. He also discusses a hiatus from, and return to, painting through "the painting of a coffee mug (1998)… Finally, a realised image as opposed to the gestural paintings I’d been […]

Jane Freilicher

Franklin Einspruch reviews Jane Freilicher: Recent Paintings and Prints at Tibor de Nagy Gallery on view through June 3, 2011. Einspruch calls Freilicher "… one of the last true scions of Giorgio Morandi," he continues "she combines a probing touch with a keen color sense to produce paintings of visceral power out of all proportion […]

Jimbo Blachly Small Pictures

Sharon Butler reviews Jimbo Blachly, Lanquidity, at Winkleman Gallery, New York which was on view from March 25 – April 30, 2011.  Butler writes: "… in the best of them, evocative color, easy brushwork and diminutive size remind me of Albert York's enigmatic landscape paintings combined with Bill Jensen's paintings from the eighties."

Written Colours – José Heerkens

Brent Hallard talks with painter José Heerkens. Heerkens discusses the impulses behind his grid-based work including being inspired by landscape – both the Netherlands and the Australian outback "… the structured and the wild. Both are important for me. In my work I need to deal with the tension of extremes, challenging me to find […]

Samuel Rosenberg: A Painter’s Legacy

John Morris blogs about the exhibition A Painter's Legacy: The Students of Samuel Rosenberg. The press release states: "A Painter’s Legacy is an expansive exhibit comprised of the rich and diverse work of individual artists taught and influenced by Samuel Rosenberg. A professor at Carnegie Mellon University (formerly Carnegie Institute of Technology) for 40 years […]

Elizabeth Murray’s Narrative Geometries

Altoon Sultan blogs about Elizabeth Murray's paintings from the mid to late 1970's, works which document Murray's path from "minimalism" to her signature style.  Sultan writes that "Murray takes forms that seem so straightforwardly geometric and infuses them with stories and off beat humor." Elizabeth Murray: Painting in the '70s is on view at Pace […]

Paul Pagk: ‘Mesquite Drawings’

Chris Ashley writes about Paul Pagk's drawings and their relationship to his paintings.  Ashley writes: "Each work’s image… a combination of field, diagram, and gesture, is a definite structural place … both intimate and monolithic… intentionally ambiguous and open for the purpose of varied personal and public experience." Paul Pagk: Drawings from the Series: The […]

Painted into a (Beautiful Corner)

Kevin Kinsella reviews Malevich and the American Legacy on view at Gagosian Gallery through April 30, 2011. Kinsella begins by recounting an intellectual and physical brawl between Malevich and Tatlin at the opening reception for The Last Futurist Painting Exhibition in 1915.  However, he concludes that in the current exhibition that the visual revolution of […]

James Siena: Interview

Robert Ayers interviews painter James Siena about his work on the occasion of his current exhibition on view at Pace Gallery through April 20, 2011.  Ayers asks Siena about his process, color, drawing and his new figurative work. Of the figurative work Siena says: "I just had an impulse at one point to draw a […]

Teller of Tales

Hearne Pardee reviews two recently published books: Philip Guston: Collected Writings, Lectures, and Conversations edited by Clark Coolidge and Telling Stories: Philip Guston's Later Works by David Kaufmann.  Pardee writes: "Together, Kaufmann and Coolidge offer a framework that helps us understand [Guston's return to figuration], Kaufmann by placing it in its cultural context and Coolidge […]

Ralph Coburn

Vincent Romaniello features a work by painter Ralph Coburn.  Coburn's work was the subject of a recent exhibition Ralph Coburn – France, Works on Paper 1949–1956 at David Hall Fine Art in Wellesley, Massachusetts.  A contemporary of painter Ellsworth Kelly, Coburn accompanied Kelly to France during the early 1950's.  This peroid was formative for both […]

At the Met: Portraits

Painter Altoon Sultan blogs her thoughts a wide range of portraits seen on her recent trip to the Metropolitan Museum of Art, beginning with Fayum funerary portraits and ending with Degas' Portrait of the Artist Tissot. Musing on "Netherlandish" portrait painters she writes: "[they] have magic in their art. How they are able to paint […]

Variety Trumps Argument

Steven Maine reviews the exhibition The Working Title on view at the Bronx River Art Center through April 29, 2011.  The Working Title presents the work of 32 artists.  "A lively exhibition," Maine writes, on that questions "the high seriousness with which abstract painters of fifty years ago… Rather than advancing an argument regarding the […]

Lucy Mink

Interview with painter Lucy Mink. Mink discusses her studio practice – "For years I experimented with everything from wax, rubber, latex, cloth, and way too much galkyd. In 2009 I stopped using additional materials with my paint" – and is wonderfully candid about how her painting is integrated in her life – "My studio is […]

13th-14th c. Mexican Panel Painting

As part of a series on recent acquisitions at LACMA, Virginia Fields blogs about Mexican panel painting from the Oaxaca/Guerrero region.  About the LACMA panel Fields writes: "Its palette of strong primary colors and the prominent use of step-fret imagery throughout its composition… identify it as an extraordinary example of the artistic tradition referred to […]

David Whitaker

David Moxon posts about British painter David Whitaker (1938-2007).  A retrospective of Whitaker's work is on view at the Grudy Art Gallery, Blackpool through May 14, 2011.  Moxon writes that Whitaker was "a contemporary of Bridget Riley" and remained "devoted to geometric abstraction… until his premature death in 2007."