American Abstract Artists

Steven Alexander posts about American Abstract Artists: 75th Anniversary on view at OK Harris Gallery through July 15, 2011.  American Abstract Artists is "a democratic artist-run organization founded in 1936 in New York City to promote and foster understanding of abstract and non-objective art." Alexander writes: "This sprawling but beautifully coherent show features the work […]

Valerio Adami

Raphael Rubinstein blogs about under-known painter Valerio Adami. Rubinstein writes: "[Adami's] distinctive use of flat color, which he has been employing since the mid-1960s, brilliantly marries the color printing of Hergé's Tintin books and medieval stained-glass; the stylized eroticism of his sinuous line and his eye for the fetish object is every bit as seductive […]

Without meaning, but understood

Misha Kligman blogs about the work of painter Anthony Dobovsky. Kligman writes: "Dobovsky's paintings are small in scale – mere inches. However, the moments, lived experience, thoughts and poetry that the works embody and evoke seem to be massive."

Kimber Smith @ James Graham

Martin Bromirski blogs installation views of Kimber Smith: Paintings and Works on Paper on view at James Graham & Sons, New York through June 30, 2011.  The gallery press release notes: "Smith was ahead of his time in his ability to consider the whole canvas with every brushstroke and his early use of large simple […]

Japanese Woodblock Prints

As rich as any painting: beautiful images of Japanese Woodblock prints from The Barry Rosensteel Japanese Print Collection at the University of Pittsburgh.

Late Spring: Leon Kossoff

Franklin Einspruch reviews the exhibition Leon Kossoff at Mitchell-Innes & Nash on view through June 18, 2011. Einspruch writes that Kossoff "[continues] to work in portraiture and landscape, with a brush loaded with oils as if they were tar, favoring a palette based on a sooty, British gray… [but]… one can see a brightening… a […]

Jasmine Justice

Interview with Istanbul-based painter Jasmine Justice. "I start with one color and intuitively disperse it onto the canvas or linen. These initial pigment accumulations are all different and usually very exciting to me, so I have started making laser jet print installation pieces out of photographs of them. But after I have shot them, the […]

Michael Voss: Interview

Aldrin Valdez interviews painter Michael Voss. Voss says of his work: "One key thing that I’m interested in is some form of simplicity… Simplicity is something that you approach, that’s fleeting, that moves. I’m very drawn to the moment when actually something simple starts to become complicated… I sometimes think of [my paintings], too, as […]

Joan Waltemath: Contingencies

Michelle Heinz reviews Joan Waltemath: Contingencies at Peregrine Program in Chicago which was on view from April 16 – May 15, 2011. Heinz writes: "While artistic experimentation has been a kind of tour-de-force, somewhere outside of painting, Waltemath has aggressively insisted that paint is still a frontier."  In works from 2003-present Waltemath employs a wide […]

The New Casualists

Sharon Butler posts about "the open proposition in contemporary abstraction."  She writes: "There is a studied, passive-aggressive incompleteness to much of the most interesting abstract work that painters are making today. But the subversion of closure isn't their only priority. They also harbor a broader concern with multiple forms of imperfection… The painters take a […]

Two Ways of Seeing

Considering the work of Edward Hopper and Fairfield Porter, Philip Koch looks at "…the difference between two of the main ways of seeing in painting- one can either move one's eye across the surface or plunge into the painting's depth."

Painted Places & Patronage

Transcript of painter David Novros' remarks at the Rothko Chapel, Houston, Texas on February 12, 2011.  Novros' discusses the scarcity of place-specific painting and the necessary (and uncommon) patronage that brings places of painting into being.  "John and Dominique [de Menil] created the circumstances and Rothko invented a magnificent painted place… Rothko (and his contemporaries, […]

Gustave Caillebotte: A Changing Paris

Susan Stamberg reports on painter Gustave Caillebotte's paintings of Napoleon III's 'modern' Paris. Unlike his contemporaries Stamberg reports that Caillebotte's paintings mourn the loss of the old Paris and the rise of the modern city. She also discusses Caillebotte's important role as a patron of impressionist painters including Monet and Renoir. His "art collection became […]

Shared Space

Eric Sutphin reviews the exhibitions Shared Space: Monique Ford and Susan Ross and Emily Berger: New Work at The Painting Center, New York on view through June 18, 2011.  Of Ford's and Ross' paintings Sutphin writes that "an essential painterly impulse exists under the surface of each artist's work…" tying together Ross' geometry and Ford's […]

The New Organic: Ken Kelly

Joey Veltkamp profiles Seattle-based painter Ken Kelly. Kelly comments that the evocative potential in his newer work, constructed from discrete marks that cross the picture plane, interests him: "That, to me, is the point: the way in which basic, universal configurations of simple units can end up constructing, in a viewers mind, an incredible range […]

Jan Frank: Abstract Erotics

Adrian Dannatt reviews Jan Frank: Seven Months on view at Paul Kasmin Gallery until June 18, 2011.  Dannatt writes: "Frank's 'line,' however serendipitous and inspired by the chance operations we know from John Cage, has an ease, an absolute rightness to it… These drawings are inspired by sessions with six different life models, and one […]

Fairfield Porter: Mystery & Reality

Larry Groff posts great links, images, and books related to painter/critic Fairfield Porter. Groff includes many quotes from Porter including: "When I paint, I think that what would satisfy me is to express what Bonnard said Renoir told him: make everything more beautiful. This partly means that a painting should contain a mystery, but not […]

Zhan Rui’s Abstraction

David Moxon posts about the exhibition Zhan Rui: The Stock Exchange, Weather, and Sex on view at Boers-Li Gallery, Beijing until June 19, 2011.  Moxon notes that Rui's works initially appear related to the minimal spirituality of Ad Reinhardt (or perhpas Agnes Martin).  However, as he quotes critic Sun Dongdong, "[Rui's paintings] do not belong […]

Erin O’Brien

Christopher Joy and Zachary Keeting video interview with painter Erin O'Brien. O'Brien discusses her painting process and the latent presence of narrative in her paintings.

Interview: Phoebe Unwin

Laura Bushell interviews painter Phoebe Unwin about her work, including a discussion (and images) of Unwin's sketchbooks. Unwin says: "They're somewhere where I start to work out particular combinations of form, colour, mark… very much a reference tool in that it's somewhere to refer to that feels really close to first instinct. But it's a […]