Merrill Wagner: Works from the 70’s
Hyperallergic
Thomas Micchelli reviews Merrill Wagner: Works from the 70’s at Zürcher Gallery, New York, on view through June 24, 2017. Micchelli writes: “Merrill Wagner’s remarkable tape paintings are as much head games as they are inquiries into precision and chance. Trying to puzzle them out is akin to reverse-engineering a ship in a bottle: even […]
Jenny Dubnau: Interview
Magic Praxis
Clarity Haynes and Kate Hawes interview painter Jenny Dubnau. Dubnau comments: “one of the most interesting aspects of portraiture is the idea … if you’re painting a particular person who lives at a particular time… you’re painting their visage but you’re really also painting the zeitgeist of the times which is inscribed upon their faces and […]
Lee Lozano: c 1962 @ Hauser & Wirth, London
Studio International
Joe Lloyd reviews Lee Lozano: c 1962 at Hauser & Wirth, London, on view through July 29, 2017. Lloyd writes: “Each piece is untitled and diminutive in size. In shape, they range from squares to frieze-like panels… By forcing one to scrutinise closely, the form draws one into Lozano’s domain while distancing it from the […]
Helene Schjerfbeck & Her Contemporaries
Too Much Art
Mario Naves reviews Independent Visions: Helene Schjerfbeck and Her Contemporaries at Scandinavia House, New York, on view through October 3, 2017. Naves writes: “… an uncompromising, if at times highly affected, talent. At her best, Schjerfbeck holds vulnerability and measure in wiry equilibrium… The innovations of early Modernism liberated these painters [Schjerfbeck, Sigrid Schauman, Ellen […]
Markus Lüpertz: Interview
Artnet News
Henri Neuendorf interviews painter Markus Lüpertz, whose work is on view at Michael Werner Gallery, New York through July 7, 2017. Two concurrent retrospectives of Lüpertz’s work are on view in Washington D.C.: Markus Lüpertz: Threads of History at the Hirshhorn Museum (through September 10) and Markus Lüpertz at the Phillips Collection (through September 3). […]
Anne Harvey @ Steven Harvey Fine Art Projects
Hyperallergic
John Yau reviews Anne Harvey: Private Life at Steven Harvey Fine Art Projects, New York, on view through June 11, 2017. Yau writes: “Harvey’s observational paintings were described by John Ashbery, in 1966, as ‘the probing anguish of an almost Jamesian dissecting eye.’ Ashbery went on to state: “A curious anxiety, tempered by the exhilaration […]
Abstracts @ Poem 88
ArtsATL
Rebecca Brantley reviews ABSTRACTS at Poem 88, Atlanta, on view through June 10, 2017. The show features works by Brendan Carroll, Ben Steele and Zuzka Vaclavik. “Each artist,” Brantley writes, “engages 20th-century traditions, albeit in markedly different ways.”
John Zurier @ Anglim Gilbert
Squarecylinder
David M. Roth reviews John Zurier: Dust and Troubled Air at Anglim Gilbert, San Francisco, on view through June 10, 2017. Roth writes: “This sensation of looking at dense fields and then being drawn into irregularly shaped pools of light is unexpected, shocking even, because nothing in the quick-read indicates that possibility. I was also […]
Ridley Howard @ Marinaro Gallery
Arte Fuse
Kate Menard reviews Ridley Howard: Travel Pictures at Marinaro Gallery, New York, on view through June 18, 2017. Menard writes: “While loosely connected to specific locations, the figures in Howard’s Travel Pictures do not interact with their surroundings but seem isolated and caught up in their own private narratives. His meticulous attention to color and […]
Matisse in the Studio
ARTnews
Phyllis Tuchman reviews Matisse in the Studio at the Museum of Fine Arts, Boston, on view through July 9, 2017. Tuchman writes: “Though he closely observed his subjects, [Matisse] generally rendered them with a twist depending on his interests of the moment. Has any other show in recent times made us so acutely aware of […]
Lani Irwin: Embracing the Unknown
Savvy Painter Podcast
Antrese Wood interviews painter Lani Irwin. Irwin makes an interesting connection between painting and dreams: “I like the undercurrents and the overcurrents [of symbolism in painting] … I like to have the objects in the paintings have more that’s there even though I don’t necessarily understand what it is. It’s like a dream … as you start to tell […]
Ginny Casey in Philadelphia
Two Coats of Paint
Becky Huff Hunter writes about the paintings of Ginny Casey, on view in the exhibition Ginny Casey & Jessi Reaves at the Institute of Contemporary Art, Philadelphia, through August 6, 2017. Hunter writes: “This impossible composition [of Moody Blue Studio, 2017], as well as those of the other ten paintings, is reminiscent of art school still […]
John Graham: Maverick Modernist
Hamptons Art Hub
James Croak reviews John Graham: Maverick Modernist at the Parrish Art Museum, Water Mill, NY, on view through July 30, 2017. Croak writes: “Early Modernism in painting, loosely defined as artwork seeking an essentialism constructed between the late 19th century up until WWII, was an intellectual adventure of the first order, having its manifestation in […]
David Novros @ Paula Cooper
artcritical
David Rhodes reviews works by David Novros at Paula Cooper Gallery (through June 30). Rhodes writes: “Untitled (1975), and Untitled (Frog Altar) (1975) use right angles as pivotal compositional elements… Both the viewer and the painting are animated, provoking an experience like that of passing through a chapel or a cave, rather than analytically viewing […]
Object Permanence: William Bailey at the Century Club
Viewers are now free to roam exhibitions with both figurative and abstract associations, without ideological guilt. Bailey’s poetic equivocations invite this in peaceful contemplation.
The Vitality of the ‘Berlin Painter’
New York Review of Books
James Romm reviews The Berlin Painter and His World, on view at the Princeton University Art Museum through June 11, 2017. Romm writes: “The Berlin Painter began working at the end of the sixth century BC, when the red-figure technique of vase painting—in which black glaze fills the background, leaving silhouettes of unglazed red ceramic to […]
Painters’ Lives: Marguerite Loupe & Maurice Brianchon
Arte Fuse
Jonathan Goodman reviews Painters’ Lives: Marguerite Loupe and Maurice Brianchon at the Grossman Gallery, Lafayette College in Easton, Pennsylvania. Goodman writes: “Louppe and Brianchon may not have been painters of major insight, but their fine possession of craft made them practitioners of genuine realization. They helped maintain the general level of painting practice in France […]
Celia Reisman: A Moment Noticed
Phindie
Lev Feigin reviews Celia Reisman: A Moment Noticed at Gross McCleaf Gallery, Philadelphia, on view through May 26, 2017. Feigin writes: “Only in ‘Echo Park Coral’ do we witness contact between two people. The couple at the lower end of the composition – we only see their heads and shoulders – face each other in […]
Peter Dreher: Interview
Studio International
Angeria Rigamonti di Cutò interviews painter Peter Dreher on the occasion of his exhibition Day by Day, Good Day at Mayor Gallery, London, on view through June 2, 2017. Dreher comments: “… adherence to one motif and its repetition does not represent a limitation but rather a liberation. It allows me to concentrate on what […]
Markus Lüpertz: Interview
Apollo Magazine
Maggie Gray visits the studio of painter Markus Lüpertz on the occasion of two concurrent retrospectives in Washington D.C.: Markus Lüpertz: Threads of History at the Hirshhorn Museum (May 24 – September 10) and Markus Lüpertz at the Phillips Collection (May 27 – September 3) Lüpertz remarks: “There is nothing new in painting. It is […]