Hans Ulrich Obrist visits the home and studio of Marisa Merz. The resulting interviews reads like a play set in various rooms of the house. Moving from dining room to studio to passageway, Merz and Obrist discuss Merz's paintings and sculptures. Merz also hints at some of her influences both in visual art (medieval painting) and in literature and poetry (San Juan de la Cruz, Rilke, Hölderlin, and Dante).