New City Art reviews Judy Ledgerwood’s exhibition Chromatic Patterns for Chicago. "Ledgerwood deftly appropriates Color Field abstraction’s scale and subsequent power to activate space and affect viewers by drenching Hoffman’s front room in prismatic vibrations." The exhibition includes "Two large paintings applied directly to opposite walls of the gallery… [and] dyed-urethane foam blobs (Blob Paintings)" displayed in a second gallery.