Peter Malone reviews Janet Fish: Glass & Plastic, The Early Years, 1968-1978 at DC Moore, New York, on view through February 13, 2016.

Malone writes that the show "highlights a selection of Fish’s work from the late 1960s and 1970s that demonstrates how, within the limitations she had set for herself at the time, she found a surprising range of solutions to problems arising from still life arrangements in the unforgiving light of a sunny window… She is — or certainly was between 1968 and 1978 — energetically involved in matters of pictorial structure that clearly differentiate her work from that of painters who at the time maintained a greater adherence to photography."