Carl Belz curates an online exhibition of recent monochrome paintings by John Zinsser, Daniel Levine, Karen Baumeister, Jeffrey Collins, and Matt McClune.

In his introduction Belz writes: "Monochrome spawned no school or movement following its appearance in the early 1960s, but it has nonetheless remained a presence in the art of our time, its directness and simplicity periodically offering respite within a culture drenched increasingly by spectacle, while at the same time demonstrating anew abstraction’s capacity to secure meaning, even when self-imposed limits seemingly reduce its options to degree zero. In varying measures, its appeal has all along been visual and conceptual, a matter of body and mind together accounting for its integrity as art."