John Bunker, Anthony Smart, Anne Smart, Robin Greenwood, Sarah Greenwood, Alexandra Harley, Patrick Jones, Sam Cornish, Mark Skilton, Hilde Skilton, and Nick Moore visit the studio of painter Emyr Williams.

Alexandra Harley: The "passage of colour isn’t just pure. It may be a pure colour all the way through but the juxtapositions of the other colours around it are changing that colour immensely."

Anne Smart: "I know [Williams' paintings] are going to be about colour, but If I try to forget that, what comes out really strongly is how they make me feel… and I’m minded to think of a painting that relates to both of them: Monet’s 1860 “Women the Garden”, and what that does for me, and what I have always felt strongly about, is the light in it; and both these paintings articulate what light does, and I feel a strong presence of that light and what that sensation can give you spatially."

Robin Greenwood: "The elements in the painting are so much more demanding than one stripe next to another. I feel I’ve seen that sort of thing before – you know, beautifully coloured stripes… but here, I’ve never seen anything quite like this before."