Jonathan Goodman reviews Accommodating the Object: Bosiljka Raditsa and Elizabeth Yamin at the Milton Resnick and Pat Passlof Foundation, New York.

Goodman writes that both artists, “in distinguished fashion, look to an organic abstraction that elaborates on the ab-ex style that immediately preceded them, at the same time pulling away from the past and working out a more current version of that movement. Raditsa tends to favor simpler arrangements of (mostly) rounded forms, while Yamin’s compositions are denser with complications. Both are excellent at exploring the implications of the New York School, whose style emphasizes expansive emotions and free-form ingenuity, in a more recent light.”