Daniel Galas visits the studio of painter Aubrey Levinthal.

Galas writes that Levinthal "varies brushwork, prefers pastel colors, and is not afraid to boldly interpret in subject. Aubrey primarily works from life but doesn't hesitate to alter the composition in any imaginative manner she finds fit. Still life is her subject of choice… mainly cups, tabletops, and food. I love her compositions, the confident loose brushwork, her focus on soft light and atmosphere, the melting of representation into abstraction, and her hints of naive/primitive articulation of form."