Exhibitions
Marc Trujillo: Nowhere and Everywhere
Huffington PostJohn Seed
John Seed interviews painter Marc Trujillo on the occasion of the exhibition Marc Trujillo: Urban Ubiquity at The Bakersfield Museum of Art, on view through May 7, 2017. Trujillo comments: “The chill of the void is alluring to me. These places that are nowhere and everywhere, big stretches of concrete and linoleum give me a […]
Tirtzah Bassel: Interview
Open House
Debbi Kenote and Til Will interview painter Tirtzah Bassel whose work was recently on view with Slag Gallery at the Volta Art Fair, New York. Bassel comments: “… a lot of times the images in my paintings start from just an everyday situation that you would kind of see anywhere, right, at this point. You’re […]
Donald Beal: Interview
Painting Perceptions
Larry Groff interviews painter Donald Beal whose work will be on view in On the Shoulder of Giants, curated by Thaddeus Radell, at Westbeth Gallery, New York, on view through March 25, 2017. Beal comments: “The paintings done from life have given me the chops I need to meaningfully push color and tone around until it eventually […]
R.B. Kitaj: Renewal and Resistance
artcritical
David Cohen’s 2003 interview with painter R.B.Kitaj, republished on the occasion of the exhibition R.B.Kitaj: The Exile at Home, curated by Barry Schwabsky, at Marlborough Contemporary, New York, on view through April 8, 2017. “[Kitaj] is living proof of some traits his critic enemies picked up on: a promiscuous lover of big ideas, an inveterate historical […]
Alfred Sisley @ the Bruce Museum
Hamptons Art Hub
Susan Hodara reviews Alfred Sisley (1839-1899): Impressionist Master, an exhibition of 50 paintings at the Bruce Museum, Greenwich, Connecticut, on view through May 21, 2017. Hodara notes that the show “is the artist’s first retrospective in the United States in more than 20 years… [curator MaryAnne Stevens] described Sisley as ‘a pure Impressionist.’ A dedicated […]
Douglas Witmer’s Simplicity
Two Coats of Paint
Becky Huff Hunter reviews Douglas Witmer: Dubh Glas at Tiger Strikes Asteroid, Philadelphia, on view through March 12, 2017. Hunter writes: “Each work in Witmer’s austere Winterbrook (2015‒17) series of six small panels brings out a different relational quality between paint and canvas: black wash opens up the flawed pores of the canvas grain; dense, dry paint […]
Katharina Grosse: Interview
Brooklyn Rail
Phong Bui interviews painter Katharina Grosse whose work is on view at Gagosian Gallery, New York, through March 11, 2017. Grosse comments: “I think color is such an interesting analytical aspect of painting. It can sit anywhere. It can fit into anything. It can unify or break up the hierarchical orderliness of how we see the […]
Alexei Jawlensky @ Neue Galerie
Studio International
Natasha Kurchanova reviews Alexei Jawlensky at the Neue Galerie, New York, on view through May 29, 2017. Kurchanova writes: “Jawlensky was close to many of his well-known compatriots and colleagues who either migrated to Germany or resided there, including Wassily Kandinsky, Gabriele Münter, Paul Klee and Ferdinand Hodler. The influence of these artists becomes manifest […]
Antoni Tàpies: Revulsion and Desire
Apollo Magazine
Robert Barry reviews Antoni Tàpies: Revulsion and Desire at Timothy Taylor Gallery, London, on view through March 18, 2017. Barry writes: “There is a remarkable consistency in the work here, made between 1999 and 2011. All eight paintings eschew canvas for wood, often left raw and unvarnished, and share a sepia-toned palette of browns and […]
Jack Whitten: Interview
The Paris Review Daily
Yevgeniya Traps interviews painter Jack Whitten whose work is on view at Hauser & Wirth, New York through April 8, 2017. Whitten remarks: “I’m working with these units of paint, which I call tesserae—originally the word for ancient mosaics… The tesserae, in my mind, is the unit, it’s the thing that makes them. I can […]
Tamara Gonzales: Interview
Brooklyn Rail
Raymond Foye and Peter Lamborn Wilson interview painter Tamara Gonzales whose work was recently on view at at Klaus von Nichtssagend Gallery, New York. Gonzales comments: “Art school was so much fun, it seemed like a vacation from my life—a pleasure… But the idea that then you come out and you’re making art about the […]
Elliott Green: The Painter of Continuous Motion
New York Review of Books
Jana Prikryl writes about the paintings of Elliott Green which are on view at Pierogi Gallery, New York, through March 26, 2017. Prikryl begins: “Elliott Green’s paintings appear to be in continuous motion, the way animals, plants, and ultimately rocks and mountains are in continuous motion, even when our human vision fails to apprehend it. […]
Beverly Fishman: The Drug of Abstraction
Art in America
Jason Stopa interviews painter Beverly Fishman on the occasion of her show DOSE, curated by Nick Cave, at the CUE Art Foundation, New York, on view through April 5, 2017. Fishman comments: “I believe that it’s important that the viewer know my content. That’s why I think my titles are significant, because they help to […]
Alice Neel Uptown
Artnet News
Christian Viveros-Fauné reviews Alice Neel, Uptown, curated by Hilton Als, at David Zwirner Gallery, New York, on view through April 22, 2017. Viveros-Fauné writes: “An argument can be made that Neel reserved her best, most perceptive nose for difference for her less known sitters… These pictures and others are not only unmarred by agendas of […]
Seurat’s Circus Sideshow @ the Met
ARTnews
Phyllis Tuchman reviews Seurat’s Circus Sideshow at The Metropolitan Museum of Art, New York, on view through May 29, 2017. Tuchman writes: “As in his other major works, Seurat was portraying an actual place in Circus Sideshow (Parade de Cirque)… A sequence of nine gas lamps perched above the temporary stage illuminates the scene; another […]
Adrian Ghenie @ Pace
artcritical
Roman Kalinovski reviews a recent exhibition of works by Adrian Ghenie at Pace Gallery, New York. Kalinovski writes: “Ghenie has become, for one reason or another, the figurehead of the Cluj school of figurative painters. A decade ago, he captivated the art world with bleak images of life under Ceaușescu during the waning days of […]
America After the Fall: Painting in the 1930s
The Guardian
Laura Cumming reviews America After the Fall: Painting in the 1930s at the Royal Academy of Arts, London, on view through June 4, 2017. Cumming writes: “In the truest sense, these works are signs of the times. They hold an entire American decade intact with their images of factories, docks, gas pumps and turbines, of […]
Craig Stockwell: Interview
Hyperallergic
Jennifer Samet interviews painter Craig Stockwell whose work is included in the 2016 deCordova New England Biennial, at the de Cordova Sculpture Park and Museum, Lincoln, Massachusetts, on view through March 26, 2017. Stockwell remarks: “In our contemporary political moment, there is a conversation about control and freedom happening — on both sides. The conversation between […]
An Embarrassment of Riches: The Shchukin Collection
ARTnews
Maika Pollack reviews Icons of Modern Art: The Shchukin Collection at The Fondation Louis Vuitton, Paris, on view through March 5, 2017. Pollack writes: “A single room in which 13 vast Matisse paintings hang is the highlight of the exhibition. These are only a fraction of Shchukin’s 43 Matisses, but each is a knockout: In […]
Ron Gorchov @ Cheim & Read
James Kalm Rough Cut
James Kalm visits an exhibition of new works by Ron Gorchov at Cheim & Read, New York, on view through March 25, 2017. Kalm notes: “Known for his unique ‘saddle-shaped’ canvases, Gorchov is also appreciated for his light touch and elegant color sense. There’s a natural seductiveness to the shaped supports, and the manifest process […]