André Masson

Maison de Masson

The New Criterion

David Platzer reviews the exhibition André Masson: There is No Finished World at the Centre Pompidou-Metz, France. Platzer’s review walks the reader through the phases of Masson’s career – cubism, surrealism, the influence of eroticism (via de Sade), and mythology – presented in this retrospective.

André Masson’s Automatic Drawings

Hyperallergic

Joseph Nechvatal reviews André Masson dans l’antre de la métamorphose at Galerie Natalie Seroussi, Paris, on view through July 31, 2016. Nechvatal writes: “An expanded field of subjects pervades the visual lexicon of Surrealism, but Masson is generally considered to have pioneered the automatic drawing technique with an opulence that borders on the decadent. Masson’s […]