Kalm notes that this show, and several other summer abstraction paintings (including Xstraction), "gives viewers a chance to reevaluate the many facets of this practice and with 'DNA' see the works of at least three generations of artists side by side. This show includes views of works by Robert Motherwell, Helen Frankenthaler, Franz Kline, Al Held, Louise Nevelson, Jules Olitski, Larry Poons, Richard Anuszkiewicz, Joshua Abelow, Ronald Bladen, Brooke Moyse, Kenneth Noland and others."
James Kalm visits the exhibition Xstraction at The Hole, New York. The exhibition features work by 32 contemporary abstract painters.
The press release states that the show examines trends in "textile-based and 'craftstraction'", paintings influenced by "digital aesthetics," "trodden-upon, dirtied, worn out or even 'entropic' abstraction," and "un-painterly abstraction" in the works of a younger generation of painters.
Kalm's video walkthrough looks at "commonalities and techniques employed by this generation of artists. Includes views of works by: Adam Henry, Andrew Sutherland, Angel Otero, Anoka Faruqee, Chris Johanson, Cory Arcangel, Gerhard Richter, Kadar Brock, Mark Flood, Sam Moyer, Thomas Øvilsen, Trudy Benson, Wade Guyton, Wendy White, Xylor Jane."
Julie Caniglia interviews Eric Crosby and Bartholomew Ryan, co-curators of the exhibition Painter Painter at the Walker Art Center, Minneapolis, on view from February 2–October 27, 2013.
Crosby comments that there is "something about the resolute materiality of painting that continues to attract artists. These are objects that follow deeply subjective and individual ways of thinking, as expressed through specific materials. In this show you will see works that are stained, collaged, sprayed, cut up, stitched, assembled, glued, smeared, rubbed, and so on— some works are years in the making. Painting offers a frame for contact with this very physical presence. It’s a vivid contrast with our daily routine, where we experience so many images by using a cursor, linking to them, altering them, navigating away from them. Painting resists this kind of experience. A lot of artists today embrace that notion to an extreme. They go where the materials take them, not where the history of painting tells them to go. "
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.