Ledgerwood explains: "I decided that the most interesting thing I could do would be to work flat and to make paintings that were extremely flat but that would project out into the space and to try to address the architectural space, because the space in front of the wall seemed to be the only space that hadn't been addressed sufficiently in painting... I think that there's a lot of room left to really address the viewer. I think that's probably one thing that the Renaissance really did well, but they did it narratively and they did it through the formal construction of the painting. And I'm trying address the viewer not through some narrative hook, but to address the viewer because the paintings envelop the space."
Ledgerwood's work will be in included in the exhibition Painters Panting at Atlanta Contemporary Art Center, on view from April 13 - June 24, 2012.
New City Art reviews Judy Ledgerwood’s exhibition Chromatic Patterns for Chicago. "Ledgerwood deftly appropriates Color Field abstraction’s scale and subsequent power to activate space and affect viewers by drenching Hoffman’s front room in prismatic vibrations." The exhibition includes "Two large paintings applied directly to opposite walls of the gallery... [and] dyed-urethane foam blobs (Blob Paintings)" displayed in a second gallery.
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.