Acha writes: "The absence of representational details grants [Phillips'] landscapes an unexpected second life. They have the capacity to suddenly flip to abstraction, for a moment losing their pictorial depth. Yet the muted and succulently specific color always shifts the landscape back into view. The change in light from painting to painting is sophisticated, creating strong implications of volume and space between landmasses. As you walk though the gallery, the landscape progressively reveals more dimensionality, with variations in the height of mountains, the position of the sun, atmosphere, and time of day. Time intervals between paintings seem no more than 30 minutes or an hour, allowing the artist to slow time down to the point of capturing the closest thing to what we can understand as the present."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.