Naves writes: "The thing is, De Forest’s paintings aren’t fantasies; they’re real. An artist’s responsibility is to create a fiction we can enter, experience and believe in. How convincingly it’s realized and how much the artist yields to its logic determines its aesthetic viability. The inside-out, every-which-way cosmos De Forest brought to life sprawls like a topographical map and bustles like the No. 6 train at rush hour. There’s not an inch of canvas unaccounted for. Forget horror vacui: De Forest’s all-over and exaggerated pointillism, characterized by blips of acrylic squeezed directly from the tube, aren’t obsessive; they’re a celebration of life’s bounty."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.