Jonathan Chapline and Lorraine Nam visit the studio of painter Michael Aitken.
Asked about his process Aitken remarks that "a lot of the paintings are begun intuitively. I’d say by about one third of the way in, I’ll make a move that decides the direction of the piece, and from there I’ll pull in imagery from different sources, often other paintings in the room or things I’ve been looking at that week. A few weeks ago I went to the Met to see a Matisse show and spent hours staring at View of Notre Dame. I’ve been thinking about that painting a lot since. It’s made it into a couple of recent paintings. I think you were the one who picked out the windows of public transportation in some of my work. I hadn’t thought about it before you brought it up but now it’s clear. Besides being a long-standing trope in the tradition of easel painting, I think working windows into my paintings is largely a result of working in a windowless basement space."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.