John Mitchell blogs about the work of Malcom Morley, on view at Sperone Westwater, New York through June 6, 2015.
Mitchell writes: "There’s a poetic multiplicity of meaning to every aspect of Malcolm’s work. The spirit of playfulness in his painting is joyful and at 83, he’s charged with youthful vigor for his work – as his robust output over the past decade clearly demonstrates."
Phong Bui visits with painter Malcolm Morley at his Long Island studio.
Having cited Jackson Pollock and Balthus as early influences, Morley says: "Well, the painting's surface in Balthus penetrates directly to your central nervous system, similar to the way Pollock's does, in spite of his paint surface being so different. It's got nothing to do with what you know. It's more to do with being open to the sensation of a surface. After all, the whole painted thing is a surface. So that's what the paint is doing, making a surface. And I've noticed that people are very shy about looking at surfaces of paintings; they tend to look just at the image. Therefore they're missing out on a lot of sensation."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.