Sharon Butler interviews painters Judith Dolnick & Lucy Mink about their thoughts on color. Dolnick's and Mink's paintings are on view at OUTLET, Bushwick, Brooklyn through June 28, 2015.
Dolnick comments: "My choice of color is all very intuitive. One color calls for another. Encourages another. Mix as I go. You know, as I move through the painting. I never mix a lot of color all at once. It’s part of search, isn’t it? To discover a painting over time? ... I don’t consciously think my colors specifically reference objects or experiences. My color choices are more about the colors' relationships to one another."
Mink notes: "I have no particular rules when choosing a color. I have some favorites, cobalt blue and hookers green and I will often be thoughtful of where these color choices are used and what is near them. Lately I get excited about two colors meeting that are new for me. It has to work in the composition, though. I mix as I move through the process. I like not knowing what's going to happen in a painting."
Zachary Keeting and Christopher Joy talk with painter Lucy Mink at her exhibition it's got me, it's got you at Giampietro Gallery, New Haven, CT, on view through February 22, 2014.
The press release notes that Mink's "work is an abstract diary that illustrates how she is consumed daily by combinations of color and form. Through many years of experimentation with a variety of techniques and materials, Lucy has developed a unique process of layer addition and subtraction creating an illusion that her painting’s surfaces have been in existence for centuries. Her compositions upon first glace seem deceptively simple which allows the viewer to concentrate on her mastery of texture and color."
Yifat Gat posts an interview with painter Julie Torres, curator of What I Like About You at Parallel Art Space. The exhibition which opens during Bushwick Open Studios weekend features a work by 19 international artists who have each selected an artist from Brooklyn to participate in the show.
Torres comments that "it never hurts to surround yourself with inspiring artists...... and LOTS of them. When a big group of wonderful people get together, the energy is palpable and the possibilities seem limitless. I think it makes my own work braver, less timid, and more joyful. It definitely gets me out of my own head. It's exhilarating. [The stylistic groupings] happened pretty organically... I naturally gravitate toward other painters, specifically those who radiate in a very human, very raw exuberant way. Since those are the artists I follow online, those are the folks I invited. Not everyone I invited could come, but it's a very exciting group. And because they are each selecting a Brooklyn artist to showcase, it will expand further from there."
The must-see exhibition includes work by Julie Alexander, Jamie Powell, Karl Bielik, Henry Samelson Valerie Brennan, Rodney Dickson, Brian Cypher, Michael Voss, Jack Davidson, Frank Holliday, Brian Edmonds, Patricia Satterlee, Justine Frischmann, Clinton King, Erin Lawlor, Lael Marshall, David T Miller, Brooke Moyse, Lucy Mink, Chris Moss, Sean Montgomery, Yadir Quintana, Melanie Parke, EJ Hauser, Julia Schwartz, Sharon Butler, Peter Shear, Katherine Bradford, Wilma Vissers, Tatiana Berg, Ian White Williams, Paul Behnke, Douglas Witmer, Alex Paik, Pier Wright, Lipke, Stephen Wright, Ky Anderson, Liz Ainslie, Lauren Collings, and Saira Mclaren.
Interview with painter Lucy Mink. Mink discusses her studio practice - "For years I experimented with everything from wax, rubber, latex, cloth, and way too much galkyd. In 2009 I stopped using additional materials with my paint" - and is wonderfully candid about how her painting is integrated in her life - "My studio is in my home. I love it that way... I hang work in progress all around the house when I can't get as much done, this way I can at least be looking at them."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.