Hartnell writes: "The political and the decorative remain intertwined in Kozloff’s work, the urgency of her social commentary never far from view. This is felt most keenly in one of her largest and most affecting works, Targets (1999-2000), a sculptural arrangement of 24 curved canvases into a nine-foot walk-in globe, the centrepiece of Mapping Brooklyn. From the outside, the cartographic sense of a constructed world could not be more apparent. A structural, wooden, rib-like shell, is held together by exposed bolts to create a definable yet insistently fictional sphere for the viewer to enter."
On the occasion of the exhibition Joyce Kozloff: Other Geographies at CB1 Gallery, Los Angeles (through February 17, 2013), Betty Ann Brown interviews Joyce Kozloff about her history as a political artist and her recent series of paintings.
Although Kozloff has worked in a variety of media she remarks: "I've always painted. Whether I paint on tiles or on canvas, the brush has been my primary tool. However, I stopped painting on canvas in 1977 and worked in other media for 20 years. Now I paint on canvas. I also paint on panels, paper and fabric. I draw and do collage. For me, there are no hierarchies among media. I don't call myself a painter. I call myself an artist."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.