Franklin Einspruch reviews the exhibition Courbet: Mapping Realism at the McMullen Museum of Art, Boston College, on view through December 8, 2013. The show includes not only works by Courbet, but paintings by Belgian (Louis Dubois) and American artists (Elizabeth Boott Duveneck, Martin Johnson Heade, Winslow Homer, William Morris Hunt, Eastman Johnson, and John La Farge) who works were influenced by the great French Realist.
Einspruch writes "that a wide swath of Belgian and American artists became interested in Courbet’s attention to the humble subject and his distinctive handling of paint. Mapping Realism examines how and whom... Then there are the Courbets themselves. The knifework in The Sailboat (Seascape) (1873) is something to behold, causing spray to rise out of a tumultuous ocean and toss a couple of boats in the scene like playthings. The closer boat is in danger of being thrown off the top edge of the canvas." He continues: "This, then, is how to bloom in a shadow – plant wildflowers that invite close inspection. Even without famous Corubets, Mapping Realism presents a forceful case for Courbet’s might, not only in his own right but in his influence upon other artists who merit further perusal."
Maureen Mullarkey reviews In the Tonalist Mood: Paintings from the 1860s to the Present. The exhibition presents works by classic tonalist painters such as Kenyon Cox, Arthur Wesley Dow and John La Farge, as well as a host of rarely seen painters. Mullarkey writes: "You cannot leave this exhibition without wanting to see more... It is precisely the unselfconscious beauty and pictorial intelligence of these more under-recognized painters that makes the exhibition revelatory."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.