Kalm notes that [Katz's] "drawings are all from the last couple of years and feature studies of friends and family. ... While Bok renders obsessively detailed interiors in expressively rich textural oil paint, Meghan Brady creates coloristic studies with a complex layering of hues in graphic designs that recall classic modernist motifs and patchwork quilts."
Yau writes; "Bok works on several paintings at once, working within a predetermined time frame in order to keep the ambient light in the painting consistent... Bok seems to be suggesting in these works, at the heart of music and painting is a dance between structure and improvisation, repetition and difference. All kinds of contradictory emotions seep into these paintings — loneliness and camaraderie, and the convoluted union between ordinariness and strangeness that is synonymous with daily living."
William Eckhardt Kohler blogs about the "weekend" exhibition Mark, Wipe, Scrape, Shape at Spaceshifter - the studio of painter Sangram Majumdar.
Kohler features "11 painters, Michael Berryhill, Gideon Bok, Matt Bollinger, Katherine Bradford, Tom Burckhardt, Jackie Gendel, Amy Mahnick, Majumdar, Kyle Staver, Didier Williams and Karla Wozniak, work in a variety of idioms; perceptual, abstract, poetical, narrative and conceptual... The dominant tone of these artists' orientation is that of idiosyncratic visionaries, rolling up their sleeves and forging a personal understanding of what painting can do. What is demonstrated here is that the newness is in what each artist brings to the table as each their own brilliant self; original rather than ideological or radical."
Yau writes that the show presents "11 paintings by artists committed to working from observation. Chronologically, the artists span five decades (or generations), with Lois Dodd and Lennart Anderson, born respectively in 1927 and 1928, being the oldest. The youngest include Gideon Bok, Anna Hostvedt, Sangram Majumdar and Cindy Tower, with Bok and Tower born in the 1960s, and Hostevedt and Majumdar born in the 1970s. The other artists are Susanna Coffey, Rackstraw Downes, Stanley Lewis, Catherine Murphy, and Sylvia Plimack Mangold, who were born between 1938 and 1949. Together, these artists — a number of whom have been influential teachers — suggest that observational painting is a vigorous, various, and imaginative enterprise that continues to fly under the radar."
Bradley Rubenstein reviews the exhibition Gideon Bok: Record Store on view at Steven Harvey Fine Art Projects, New York, through October 8, 2011.
Rubenstein writes: "The subject is the record sleeve, which lies horizontally, creating a trapezoidal shape within the LP-sized panel. [Bok] paints with a rough, expressive hand while listening to the album he is depicting, linking the paint handling with its musical counterpart; Kandinsky attempted this synesthetic experience also in his work... Bok elaborates on or obscures the original cover art (in itself an art form of the past), showing how our “perspective” of the work shifts by our perceptions of it."
Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.